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Networks of Emergence

A PhD project by Erik Åberg.
Three images in sepia tone. The first is a man on a mercedez car from the 1920s. He is balancing balls, looking happy. Behind him there is a woman. Middle picture is a clown in a white dress. He has a violin in his hand. The third image is a couple. The man wears a suit, the woman a dress. Perhaps it is a wedding picture.

This project examines historiography as a creative element in circus making. It involves drawing inspiration from historical sources within the circus domain, including characters, events, objects, and activities and re-configurating, re-contextualizing and repurposing them to inform new artistic practices. The specialization of circus mainly utilized is juggling, although it touches on other disciplines.

Aim and research questions

The purpose of this project is to investigate and define the practice of a circus artist who also is the maker of the objects they use.

Research implementation and anticipated impact

The aim of the project is to define a practice that emerges from the meeting point between juggling and sculpture, by exhibiting examples and documentation of practice and process, as well as articulating the theories and strategies used. In the process, archival material is utilized, primarily articles about circus and variety shows from newspapers dating from the period 1885-1914. An ensemble of artists from this period constitutes the focus of the archival search.

Principal Supervisor

Kent Olofsson

Supervisor

Martin Hargreaves

Schedule

2021-2025

PhD student, Erik Åberg

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