Conflicted Embodiment: Practices of Making Public

The practices comprise:

1.    The Bastard-rather-than-Cheap Solo Lecture-Performance Compendium
2.    A workshop on Conflicted Embodiment (no previous dance experience required)
3.    The Bastard-rather-than-Cheap Group Lecture-Performance with Conflicted Embodiment
4.    The launch of the written component of the Conflicted Embodiment PhD project, together with its archival documentation on the DiVA and Research Catalogue platforms.

Practical Information

_ Fika and breaks: Yes, there will be both.
_ Proximity: Yes, there will be moments of physical proximity.
_ Touch: Yes, touch may occur, always based on prior consent.
_ Language: English, with interjections in Swedish, Spanish, French, Italian, and Portuguese.
_ Clothing: Comfortable clothing is recommended, as we will spend several hours in a dance studio.
_ Shoes: Street shoes are not permitted inside Studio 16. Clean indoor shoes, flip-flops, or socks may be worn inside.
_ Documentation: Participation will be recorded for personal documentation purposes only and will not be used for any form of publication.
_ The venue is fully accessible.

Credits: 

_ Dramaturg of the event and editor of the publication: Vladimir Miller
_ Proofreader: Mariana Pessino
_ Dancers: Natalia Perea Santana, Mariê Mazer, Yari Stilo and cate. 
_ Co-presenter of the written component: Nefeli Gioti
_ Technique: Carl Amnert and Olle Axén
_ Script assistance: Aphra Behn, Marie Geneviève van Goethem and Maria Baderna 
_ Special thanks for studio bookings and space arrangements: Ingela Stefaniak Öhman; David Meyer and Jasmin Dedic. 
_Thanks for the support: SUDPAC student Union, Subject Area Dance STAFF, Segunda Cuadernos de Danza, Eugenia Cadús, my mum, my dad, my sister, Aquarela and Vara. 
_ Dedicated to the dances

Read more about the PhD project

Public defence
The public defence will be held on the 22 May 2026 (Link will come)