Startpage
Research Search
Sonorous Dances and Reverberant Matters
Research Projects

Sonorous Dances and Reverberant Matters

”Sonorous Dances and Reverberant Matters” is a two-year research project by performance trio Tender Motor, consisting of Tove Salmgren, Moa Franzén and Kajsa Wadhia. The group explores connections between voice, breathing, body and movement.
Three persons are sitting on a stage, hair covering their faces and the hair looks like it is moving

Since 2018, Tender Motor has been exploring the connection between voice, body and movement through choreographic methods. ‘Motor’ comes from the Latin ‘movere,’ which means ‘to move’ – that which sets something in motion. In their work, the voice is as much a motor for movement as the body. Through a variety of approaches and methods, the group explores how they can connect with and liberate different sound bodies at the intersection of voice, breathing and choreography. In the research project ‘Sonorous dances and reverberant matters’, the group wants to explore the voice as a performative force that affects both the inner and outer reality through manifestations of new relationships, affective associations and sensory experiences. In the project, the group will seek out new spaces and contexts, such as contexts that are not primarily about art, or with specific acoustic properties, in order to test the practice in relation to the material conditions of the place, e.g. mines and water. The exploration also includes experimental workshops with different groups with the intention of testing the practice in a larger polyphony and thus gaining new perspectives on it. In this way, they want to develop their scores, text material, formulations and find new references regarding the intersection of breathing, voice and choreography. The research project also includes ways of developing methods for documenting and sharing the practice and research with a wider audience.

Aim and research questions

The research is rooted in a shared interest in exploring the voice as bodily materiality, as a choreographic tool and communicative force. The starting point is that the voice is deeply intertwined with ideological and political structures. The aim is to explore, from a feminist critical perspective, how the body and voice are connected as co-creators of each other's liberation, by playfully approaching the materiality of the sounding body in harmony with other materialities. What kind of attention and listening does the practice generate? In the person making the sound, in the person listening? What form of physical or affective empathy and resonance is set in motion by the voice? What form of movement and body does the voice generate through its various vocal expressions? And what kind of vocality can different physical practices, places and relationships evoke? What kind of being and coexistence can the voice and body open up, which does not take shape according to narrative, dramaturgy, definition, meaning-making, or significance? How do the potential answers to these questions change when we sound in, on, and through specific materialities and places? Over or through a water surface? Underground, in a mine? How can our polyphonic choreographic process be used in different forms of workshops, within the field of dance, in interdisciplinary artistic encounters, with non-artistic practitioners, or in purely artistic research contexts such as SKH's research week?

Research implementation and anticipated impact

During 2025 the research project has been presented and shared in various contexts; in January the work was presented and shared in SKH research week, in April the work were presented as a performance at Weld, in June the group participated with a workshop and a performance within “The International Deleuze & Guattari Studies Conference Pedagogies of Philosophy: Nonsense, and…and…and joy” hosted by Konstfack. In June the group placed their research in various sites in Småland. In October the performance practice will be shared within ”The Listening Biennal”, curated by Hara Alonso and hosted by Fylkingen. In 2026, the project will be presented during SKH Research Week (January 2026), through a writing lab and documentation. The project is expected to expand the local discourse and knowledge on the intersection of choreography, voice and movement.

Collaboration

For residencies and presentations the group collaborates with Fylkingen, Weld, Köttinspektionen Dans and Salong Central.

Research funding

Weld, Fylkingen and SKH's internal research funds, which include research in service for Tove Salmgren.

Principal Supervisor

Rebecca Hilton

Schedule

January 2025- December 2026
""

Assistant Professor of Choreography in Performative Practices, Tove Salmgren

Subscribe to our Research news
Find people
SKH Play

Telephone: 08-49 400 000
General information: info@uniarts.se
Questions about studies: studieinfo@uniarts.se
Questions about doctoral studies: phdpositions@uniarts.se