Researcher: Anna Lindal Johan Jutterström Andreas Hiroui Larsson
Using the river Lethe as a metaphorical starting point, we research forgetfulness as method and guiding principle for an artistic process. Intertwining practice and reflection, Lethe aims at an innovative use of forgetfulness with artistic examples and theoretical arguments. In what way will forgetfulness impact the work of an individual musician and a music ensemble?
Forgetfulness is inherently inscribed in every performance practice. As soon as a performance, or concert, is over all that remains are the fading memories. Focusing on the fading, rather than on the memories themselves, is our tool to open up artistic practices for something unexpected.
At the beginning of the project the research group, collectively in improvisation, created a piece of music that during the three-year period is being played again and again. We are not allowed to listen to the piece or discuss it with each other until the end of the project. Continuously repeating the piece hopefully allows for forgetfulness to be the driving force behind the piece development. We are also collaborating with invited colleagues throughout the research project to experiment on forgetfulness as artistic method from other perspectives and in such ways that makes it possible for us to discuss – in contrast to the collective improvisation that we are not allowed to discuss.
Jennfier Torrence, Emma Wolukau-Wanambwa, Karl Dunér
Emma Wolukau-Wanambwa doktorand i fri konst, artist Jennifer Torrence, slagverkare biträdande professor i musik Karl Dunér, regissör, artist och bildkonstnär
Lethe - International Symposium on Forgetfulness in Artistic Processes to be held on 2-4 March, 2023 Link to the Symposium
2021–2023
lethe.nu
The project is financed by the Swedish Research Council.