PhD projects

Ongoing projectsOngoing
Finished projectsFinished

PhD projects

Ongoing projectsOngoing

Finished projectsFinished

”Studies on Fantasmical Anatomies” by Anne Juren

”Knot Circus” by Jonathan Priest

”Darkness as material” by Mia Engberg

”Den iscensatta dokumentären” by Marcus Lindeen

”Dramaturgy for Participatory Practises” by Josephine Rydberg

”Situating the director in a theatre of the future” by Johannes Maria Schmit

"The Translatress´ Tactic: Conflicted Trans-Atlantic Embodiment" by Caterina Mora

”The vulnerable director” by Linn Hilda Lamberg

”Unchain the singer!” by Tove Dahlberg

”Beyond Cut and Join" by Kersti Grunditz Brennan

”CHOREO | GRAPHY” by Eleanor Bauer

”Cinematic subjects and responsibility” by Marius Dybwad Brandrud

Circus as Practices of Hope by Marie-Andrée Robitaille

”Voice under” by Ester Martin Bergsmark

Enhear by Carolina Jinde

"Eye of the Mountain" by Savas Boyraz

”Fauxthentication...” by Bogdan Szyber

”From Model to Module...” by Rasmus Ölme

”...utrymme för skådespelarens kroppsliga uttryck...” by Anna Pettersson

”In Real Life (Or Elsewhere)” by Kirsi Nevanti

”Monsters I Love: On Multivocal Arts” by Alex Nowitz

”Moving through Choreography” by Marie Fahlin

”Performative strategies, dimensions of emancipation” by Ellen Nyman

Staging Absence by Marcia Nemer

”The absent becoming present...” by Carina Reich

”The decline of choreography...” by Paz Rojo

”The poetics of enlivening...” by Kerstin Perski

”The scenographic potential of acoustic sound” by Mareike Dobewall

”The potential of Multilingualism in Dramatic Works” by Vanja Hamidi

”This Untethered Buffoon...” by Stacey Sacks

Your Bones Hold the Shape of What’s to Come by Áron Birtalan

“Finding Upright” by Maipelo Gabang

”Filmmaker in the archival multiverse” by Marc Johnson

"Object Ideation" by Erik Åberg

”Studies on Fantasmical Anatomies” by Anne Juren

”Knot Circus” by Jonathan Priest

”Darkness as material” by Mia Engberg

”Den iscensatta dokumentären” by Marcus Lindeen

”Dramaturgy for Participatory Practises” by Josephine Rydberg

”Situating the director in a theatre of the future” by Johannes Maria Schmit

"The Translatress´ Tactic: Conflicted Trans-Atlantic Embodiment" by Caterina Mora

”The vulnerable director” by Linn Hilda Lamberg

”Unchain the singer!” by Tove Dahlberg

”Beyond Cut and Join" by Kersti Grunditz Brennan

”CHOREO | GRAPHY” by Eleanor Bauer

”Cinematic subjects and responsibility” by Marius Dybwad Brandrud

Circus as Practices of Hope by Marie-Andrée Robitaille

”Voice under” by Ester Martin Bergsmark

Enhear by Carolina Jinde

"Eye of the Mountain" by Savas Boyraz

”Fauxthentication...” by Bogdan Szyber

”From Model to Module...” by Rasmus Ölme

”...utrymme för skådespelarens kroppsliga uttryck...” by Anna Pettersson

”In Real Life (Or Elsewhere)” by Kirsi Nevanti

”Monsters I Love: On Multivocal Arts” by Alex Nowitz

”Moving through Choreography” by Marie Fahlin

”Performative strategies, dimensions of emancipation” by Ellen Nyman

Staging Absence by Marcia Nemer

”The absent becoming present...” by Carina Reich

”The decline of choreography...” by Paz Rojo

”The poetics of enlivening...” by Kerstin Perski

”The scenographic potential of acoustic sound” by Mareike Dobewall

”The potential of Multilingualism in Dramatic Works” by Vanja Hamidi

”This Untethered Buffoon...” by Stacey Sacks

Your Bones Hold the Shape of What’s to Come by Áron Birtalan

“Finding Upright” by Maipelo Gabang

”Filmmaker in the archival multiverse” by Marc Johnson

"Object Ideation" by Erik Åberg