Research and Development work

Ongoing projectsOngoing
Finished projectsFinished

Research and Development work

Ongoing projectsOngoing

Finished projectsFinished

”Choreography” by Ann Juren

”Knot Circus” by Jonathan Priest

Missa a la breve?! by Per Borin

Fermater i Verdi-operor by Per Borin

”Circus as Dialogic” by Marie-Andrée Robitaille

”Darkness as material” by Mia Engberg

”Den iscensatta dokumentären” by Marcus Lindeen

”Dramaturgy for Participatory Practises” by Josephine Rydberg

”Situating the director in a theatre of the future” by Johannes Maria Schmit

”The vulnerable director” by Linn Hilda Lamberg

”Unchain the singer!” by Tove Dahlberg

”CHOREO | GRAPHY” by Eleanor Bauer

”Cinematic subjects and responsibility” by Marius Dybwad Brandrud

”Voice under” by Ester Martin Bergsmark

”The voice and the perception of the story” by Carolina Jinde

”No title” by Ellen Nyman

”Entering the Frame – Agency of the Editor” by Kersti Grunditz Brennan

”Fauxthentication...” by Bogdan Szyber

”From Model to Module...” by Rasmus Ölme

”...utrymme för skådespelarens kroppsliga uttryck...” by Ann Pettersson

”In Real Life (Or Elsewhere)” by Kirsi Nevanti

”LANGUAGESZONE/S...” by Vanja Hamidi

”Monsters I Love: On Multivocal Arts” by Alex Nowitz

”The absent becoming present...” by Carina Reich

”The decline of choreography...” by Paz Rojo

”The poetics of enlivening...” by Kerstin Perski

”The scenographic potential of acoustic sound” by Mareike Dobewall

”This Untethered Buffoon...” by Stacey Sacks

”ArtNews” by My Häggbom

”Collaborative filmmaking in VR” by Mirko Lempert

”Different art forms” by Barbro Smeds

”Filmdevisning” by Ylva Gustavsson

”Method book” by Lena Stefenson

”Pendular Movements” by Wilhelm Carlsson

”The lost and found project” by Jenny Sunesson

”The Melancholy of Lost Movements” by John-Paul Zaccarini

”The open minded body” by Patrik Sörling

”The voice – a touch?” by Lotta Erikson

”Theory in practice” by Itte Lundgren

”1+1=3… Men hur?” by Johanna Garpe

”Bad girls' practices: un-writing dance...” av Frédéric Gies

”Barn och unga producerar” by Erika Höghede

”Being a replacing / substituting actor...” by Niklas Hald

”Cavalleria Rusticana” by Giuseppina Penta

”Changement á vue” by Anders Larsson

”CLIMATE-JUST WORLDINGS” by Lina Persson

”Collaborative filmmaking” by Ylva Gustavsson

”Concept design and visualising workflows” by Eli Bø

”Choreography” by Ann Juren

”Knot Circus” by Jonathan Priest

Missa a la breve?! by Per Borin

Fermater i Verdi-operor by Per Borin

”Circus as Dialogic” by Marie-Andrée Robitaille

”Darkness as material” by Mia Engberg

”Den iscensatta dokumentären” by Marcus Lindeen

”Dramaturgy for Participatory Practises” by Josephine Rydberg

”Situating the director in a theatre of the future” by Johannes Maria Schmit

”The vulnerable director” by Linn Hilda Lamberg

”Unchain the singer!” by Tove Dahlberg

”CHOREO | GRAPHY” by Eleanor Bauer

”Cinematic subjects and responsibility” by Marius Dybwad Brandrud

”Voice under” by Ester Martin Bergsmark

”The voice and the perception of the story” by Carolina Jinde

”No title” by Ellen Nyman

”Entering the Frame – Agency of the Editor” by Kersti Grunditz Brennan

”Fauxthentication...” by Bogdan Szyber

”From Model to Module...” by Rasmus Ölme

”...utrymme för skådespelarens kroppsliga uttryck...” by Ann Pettersson

”In Real Life (Or Elsewhere)” by Kirsi Nevanti

”LANGUAGESZONE/S...” by Vanja Hamidi

”Monsters I Love: On Multivocal Arts” by Alex Nowitz

”The absent becoming present...” by Carina Reich

”The decline of choreography...” by Paz Rojo

”The poetics of enlivening...” by Kerstin Perski

”The scenographic potential of acoustic sound” by Mareike Dobewall

”This Untethered Buffoon...” by Stacey Sacks

”ArtNews” by My Häggbom