Research and Development work

Ongoing projectsOngoing
Finished projectsFinished

Research and Development work

Ongoing projectsOngoing

Finished projectsFinished

"Choreography" by Ann Juren

"Cinematic subjects and responsibility" by Marius Dybwad Brandrud

"Entering the Frame – Agency of the Editor" by Kersti Grunditz Brennan

"Fauxthentication..." by Bogdan Szyber

"From Model to Module..." by Rasmus Ölme

"In Real Life (Or Elsewhere)" by Kirsi Nevanti

"LANGUAGESZONE/S..." by Vanja Hamidi

"The decline of choreography..." by Paz Rojo

"The Improvising Trickster" by Stacey Sacks

"The poetics of enlivening..." by Kerstin Perski

"The voice and the perception of the story" by Carolina Jinde

Anna Lindal – Unlearning performance – fragments and doubts

Annette Arlander – Performing with Plants

Barbro Smeds – The meeting point between different art forms – what does the collaborative dialogue look like?

Bengt Bok – ”Wannsee”

Cecilia Roos and Jan Burkhardt – To let things unfold

Cecilia Roos – Gestures of exchange

Doctoral research project by Johannes Maria Schmit

Doctoral research project by LinnHilda Lamberg

Doctoral research project by Eleanor Bauer

Doctoral research project by Ester Martin Bergsmark

Doctoral research project by Marcus Lindeen

Doctoral research project by Marie-Andrée Robitaille

Doctoral research project by Mia Engberg

Doctoral research project by Tove Dahlberg

Doctoral reserach project by Ellen Nyman

Doctoral reserach project by Mareike Dobewall

Documenting Experiential Authorship

Frédéric Gies – Bad girls' practices: un-writing dance, the body and the choir

Itte Lundgren – Theory in practice – or practice in theory?

Jenny Sunesson – The lost and found project

Knot Circus by Jonathan Priest

Lena Stefenson – Process handbook and productions

Lotta Erikson – The voice – a touch?

Marie-Andree Robitaille – HIDDEN CIRCUS

Marie-Andree Robitaille – SOUND OF CIRCUS

Marie-Andree Robitaille – WOMEN IN CIRCUS

Marie-Andrée Robitaille – Gynoïdes Project – A Study on Women in Circus

Mia Engberg – The Visual Silence

Monsters I Love: On Multivocal Arts by Alex Nowitz

Patrik Sörling – The open minded body - a movement language for opera

Peo Sander – How do you tackle directing a performing arts production?

Thierry Maussier – Pedagogies of Hand-Balancing

"Choreography" by Ann Juren

"Cinematic subjects and responsibility" by Marius Dybwad Brandrud

"Entering the Frame – Agency of the Editor" by Kersti Grunditz Brennan

"Fauxthentication..." by Bogdan Szyber

"From Model to Module..." by Rasmus Ölme

"In Real Life (Or Elsewhere)" by Kirsi Nevanti

"LANGUAGESZONE/S..." by Vanja Hamidi

"The decline of choreography..." by Paz Rojo

"The Improvising Trickster" by Stacey Sacks

"The poetics of enlivening..." by Kerstin Perski

"The voice and the perception of the story" by Carolina Jinde

Anna Lindal – Unlearning performance – fragments and doubts

Annette Arlander – Performing with Plants

Barbro Smeds – The meeting point between different art forms – what does the collaborative dialogue look like?

Bengt Bok – ”Wannsee”

Cecilia Roos and Jan Burkhardt – To let things unfold

Cecilia Roos – Gestures of exchange

Doctoral research project by Johannes Maria Schmit

Doctoral research project by LinnHilda Lamberg

Doctoral research project by Eleanor Bauer

Doctoral research project by Ester Martin Bergsmark

Doctoral research project by Marcus Lindeen

Doctoral research project by Marie-Andrée Robitaille

Doctoral research project by Mia Engberg

Doctoral research project by Tove Dahlberg

Doctoral reserach project by Ellen Nyman

Doctoral reserach project by Mareike Dobewall

Documenting Experiential Authorship

Frédéric Gies – Bad girls' practices: un-writing dance, the body and the choir

Itte Lundgren – Theory in practice – or practice in theory?

Jenny Sunesson – The lost and found project

Knot Circus by Jonathan Priest

Lena Stefenson – Process handbook and productions

Lotta Erikson – The voice – a touch?