Research and Development work

Ongoing projectsOngoing
Finished projectsFinished

Research and Development work

Ongoing projectsOngoing

Finished projectsFinished

”Choreography” by Ann Juren

”Knot Circus” by Jonathan Priest

Missa a la breve?! by Per Borin

”Toys That Created Our Ideological Being” by Anja Susa

”Alexandria Nova” by Anja Susa

”Darkness as material” by Mia Engberg

”Den iscensatta dokumentären” by Marcus Lindeen

”Dramaturgy for Participatory Practises” by Josephine Rydberg

"FutureBlackSpace" by John-Paul Zaccarini

"Pronounced embodiment" by Aleksandra Czarnecki Plaude

”Situating the director in a theatre of the future” by Johannes Maria Schmit

"The Translatress´ Tactic: Conflicted Trans-Atlantic Embodiment" by Caterina Mora

”The vulnerable director” by Linn Hilda Lamberg

”Unchain the singer!” by Tove Dahlberg

”CHOREO | GRAPHY” by Eleanor Bauer

”Cinematic subjects and responsibility” by Marius Dybwad Brandrud

CIRCUS AS A PRACTICE OF HOPE by Marie-Andrée Robitaille

”Voice under” by Ester Martin Bergsmark

”The voice and the perception of the story” by Carolina Jinde

”Performative strategies, dimensions of emancipation” by Ellen Nyman

”Entering the Frame – a sprawling film editing practice⁠” by Kersti Grunditz Brennan

"Eye of the Mountain" by Savas Boyraz

”Fauxthentication...” by Bogdan Szyber

”From Model to Module...” by Rasmus Ölme

”...utrymme för skådespelarens kroppsliga uttryck...” by Ann Pettersson

”In Real Life (Or Elsewhere)” by Kirsi Nevanti

”Monsters I Love: On Multivocal Arts” by Alex Nowitz

”Moving through Choreography” by Marie Fahlin

PhD project by Maipelo Gabang

Staging Absence by Marcia Nemer

”The absent becoming present...” by Carina Reich

”The decline of choreography...” by Paz Rojo

”The poetics of enlivening...” by Kerstin Perski

”The scenographic potential of acoustic sound” by Mareike Dobewall

”The potential of Multilingualism in Dramatic Works” by Vanja Hamidi

”This Untethered Buffoon...” by Stacey Sacks

Ways to Play (with the Crisis of Imagination) by Áron Birtalan

”ArtNews” by My Häggbom

”Collaborative filmmaking in VR” by Mirko Lempert

”Different art forms” by Barbro Smeds

”Filmdevisning” by Ylva Gustavsson

“Gardeners & Architects” by Alexander Skantze

”Method book” by Lena Stefenson

”Pendular Movements” by Wilhelm Carlsson

”The lost and found project” by Jenny Sunesson

”The Melancholy of Lost Movements” by John-Paul Zaccarini

”The open minded body” by Patrik Sörling

”The voice – a touch?” by Lotta Erikson

”Theory in practice” by Itte Lundgren

”Choreography” by Ann Juren

”Knot Circus” by Jonathan Priest

Missa a la breve?! by Per Borin

”Toys That Created Our Ideological Being” by Anja Susa

”Alexandria Nova” by Anja Susa

”Darkness as material” by Mia Engberg

”Den iscensatta dokumentären” by Marcus Lindeen

”Dramaturgy for Participatory Practises” by Josephine Rydberg

"FutureBlackSpace" by John-Paul Zaccarini

"Pronounced embodiment" by Aleksandra Czarnecki Plaude

”Situating the director in a theatre of the future” by Johannes Maria Schmit

"The Translatress´ Tactic: Conflicted Trans-Atlantic Embodiment" by Caterina Mora

”The vulnerable director” by Linn Hilda Lamberg

”Unchain the singer!” by Tove Dahlberg

”CHOREO | GRAPHY” by Eleanor Bauer

”Cinematic subjects and responsibility” by Marius Dybwad Brandrud

CIRCUS AS A PRACTICE OF HOPE by Marie-Andrée Robitaille

”Voice under” by Ester Martin Bergsmark

”The voice and the perception of the story” by Carolina Jinde

”Performative strategies, dimensions of emancipation” by Ellen Nyman

”Entering the Frame – a sprawling film editing practice⁠” by Kersti Grunditz Brennan

"Eye of the Mountain" by Savas Boyraz

”Fauxthentication...” by Bogdan Szyber

”From Model to Module...” by Rasmus Ölme

”...utrymme för skådespelarens kroppsliga uttryck...” by Ann Pettersson

”In Real Life (Or Elsewhere)” by Kirsi Nevanti

”Monsters I Love: On Multivocal Arts” by Alex Nowitz

”Moving through Choreography” by Marie Fahlin