Information
 

Dance degree projects (online)

The degree dance students invite you to take part of their independent works through live streamed presentations 20-22 January.

The degree project is a course during the bachelor students last year of education. This is an independent work for ten weeks, where the aim is to develop the students understanding of experimental research processes in art.

It starts out with choosing a question to address in the project. Through practice and research in the studio, reading, writing and supervision, the students produce a written text and a practical performative work. 

Program

20 January

10.00-10.20 Daphne Giannikopoulou: Make Minuscule Monsters

Welcome folks of all kinds, to the Monster Show! In front of your very eyes, we will morph into creatures not quite human, we will dance, and we will cheer for each other. This is a trip down the rabbit hole, an amplification and celebration of the bizzare! 
Choreography: Daphne Giannikopoulou
Performers and inspiration-makers: Sonja Aaltonen, Cilia Herrmann, Tone Johannessen, Mariê Mazer, Taika Rautiainen and Jane Sievänen.

10.35-10.55 Taika Rautiainen: Wrinkles & Fairytales presents: Non-Sensesceneries

It is like a sweetshop - colourful surprises, fast ideas, pale characters and emerging encounters here and there and everywhere. The work dives into the space between our experiences and expectations, the doing and the effect by trying to find something tingling, where everything already exists.
Composition: Taika Rautiainen
Performers: Josefina Pulkkinen, Wilma Seppälä and Taika Rautiainen

13.30-13.50 Wilma Seppälä: Act Four: Scene of Sentimentality 

Scene of Sentimentality is a melodramatic movement spectacle. Turning its back to minimalism, the choreography works on drama and theatricality in relation to physicality and welcomes over the top emotions and pompous aesthetics to take the centre stage.  
Choreography: Wilma Seppälä 
Dancers: Taika Rautiainen, Tone Johannessen, Mariê Mazer and Wilma Maunula 

14.05-14.25 Cilia Herrmann: LET US BE THE SECOND BODY 

I DO BELIEVE THAT WE ARE ALREADY READY FOR CHANGE. 
I DON’T BELIEVE THAT CHANGE IS INTRINSICALLY GOOD.
I DO BELIEVE THAT WE MUST BE THE CHANGE WE WANT TO SEE.
I DON’T BELIEVE THAT WE KNOW WHITCH CHANGE IT IS THAT WE WANT TO SEE. 
I DO BELIEVE THAT REALIZING YOUR INTERDENPENDENCIES IS A WAY TO FIGURE THAT OUT. 
Composition: Cilia Herrmann

21 January

10.00-10.20 Sonja Karoliina Aaltonen: LOOPAR 

LOOPAR observes loops from micro to macro layers in relation to subject formation and world making 
LOOPAR seeks opportunities for dancing together through loops, rhythms, experiences, sounds, sensations and constant change, while been affected by multiple forces  
LOOPAR challenges the question of – what do we perceive and experience as such and why?  
Composition: Sonja Karoliina Aaltonen 
Performers: Wilma Maunula, Mariê Mazer, Cilia Herrmann, Sigrid Sjöholm 
Sound designers: Ellinor Blixt, Fabian Grytt, Andreas Huumonen, Johan Stohne 
Supervisors: Josefine Wikström, Zoë Poluch, Pavle Heidler  

10.35-10.55 Natalia Drozd: Tailbone-ing movement practice 

Performative-participatory practice presentation. In my degree project, I've been researching tailbone movement and its connections in the dancing body. I'd like to invite all audience members to participate in a guided tailbone-ing movement practice by Natalia Drozd. 
Composition: Natalia Drozd
Extra supervisor: Susannah Rickman 
Advisor: Karin Munters Jameson 

13.30-13.50 Tone Johannessen: ERGO

You will meet two friends. They are about to embark upon a journey together. They will be given instructions on how to play the game. A game that might be a lie to catch your attention. You will meet girls and boys, a baby, a pianist, two wizards and many others through the friends. Happy observing!  
Choreographer: Tone Johannessen
Performers: Daphne Giannikopoulou and Mariê Mazer
The material has been developed in collaboration with the performers.

14.05-14.25 Heta Asikainen: That Time I Swam in a Storage Room 

Four dreamers welcome the spectator to attend an ephemeral moment filled with dream imagery. That Time I Swam in a Storage Room is an attempt to let go of our relentless need for immediate sense making, and to open up to the ramblings of our unconscious minds.  
Choreographer: Heta Asikainen
Performers: Ane Carlsen, Anton Hedevang, Heta Asikainen, Jane Sievänen 


22 January

10.00-10.20 Sigrid Sjöholm: -practical, efficient, necessary-

A necessary movement is a practical movement that is in relation to survival and sprung out of urgency. 
It is a movement that is always in relation to something else, and therefore is a result of, and results in, something. 
Necessary moving is moving out of self-defence and preservation rather than moving out of an aspired aesthetic, sensation or desire to express or perform.
How can that be manifested on a stage in a dance performance?
Choreographer: Sigrid Sjöholm
Featuring: Cornelia Andersson/Wilma Seppälä/Sigrid Sjöholm.


10.35-10.55 Wilma Maunula: DARK BLISS

rather using your imagination than planning / wandering walks / letting experience be larger than knowledge / choosing reality rather than the plan / not against interpretation, against confinement / respecting the essential mystery of a work of art / opening up an exchange that needs never to end 
Performer and maker - Wilma Maunula
Sound designer - Olli Lautiola

13.30-13.50 Jane Sievänen: Living Things Growing Through

We're in a forest moulded into dead things imagined alive. We're surrounding ourselves with non-living, when the thing we're really after, and that sustains us, is a living and breathing world. 
This process started with freedom and ended in resistance. Now it's a practice only to be done together.

14.05- 14.25 Mariê Mazer: Rebola, senta, joga, quica

Despite the amount of violence, they had to put up with, Afro-Brazilian women built an entire dancing country by shaking their asses in magnificent and divine ways. They have cultivated, lapidated and passed on the pleasure and the power of bending over, putting your hands on your naked knees and making the fat on your ass bounce to the music. 
Brazilian funk and ass-shaking come from a war zone, but anyway mean party, Black pride and community. 
Composition and performer: Mariê Mazer
Credits for quote: Taísa Machado


Credits in general

Stage technic: Lumination of Sweden
Live-streaming: Character

Course director: Josefine Wikström
Head of program: Zoë Poluch

 

Bachelor Degree students in Dance performance 

  • Sonja Karoliina Aaltonen
  • Heta Asikainen
  • Natalia Drozd
  • Wilma Maunula
  • Jane Sievänen
  • Sigrid Sjöholm 
  • Daphne Giannikopoulou
  • Cilia Herrmann
  • Tone Johannessen
  • Mariê Mazer
  • Taika Rautiainen
  • Wilma Seppälä