Seminars/lectures: Curatorial Practice and Diversity

Seminars/lectures: Professors talking practices. Nine Tuesdays in the autumn. At 12.15-13.00 in one of our libraries.

Seminars/lectures: Alex Nowitz is a Doctoral Candidate at the University College of Opera since 1 September 2014. His doctoral project is "The Multivocal Practitioner: A Celebration of the Vocal Arts". Now it's time for his 50 % research seminar with title "What I’m singing is poorly sung".

Seminars/lectures: Song interpretation.
Dramatic and musical interpretation on equal grounds.
Book release and final seminar of Pia Olby's artistic development projekt.

Seminars/lectures: Professors talking practices. Nine Tuesdays in the autumn. At 12.15-13.00 in one of our libraries.

: On 19 September 2017 Nils Claesson will defend his doctoral project The Ghost Machine.

Seminars/lectures: Professors talking practices. Nine Tuesdays in the autumn. At 12.15-13.00 in one of our libraries.

: Kerstin Perski’ s PhD project ”The poetics of enlivening” aims at exploring and applying methods which challenge the conventional limits of the professions involved in music drama and opera, in the creation of a new music dramatic piece with the working title ”Borderland”.
The aim is to create the conditions for a more ”enlivened” encounter between the performance and the viewer in a contemporary context, both with regard to content and form. Kerstin Perski is a PhD candidate in opera. Now it is time for her 50 % seminar with the title ”The stick of the blind one”- In search of the methods of enlivening.

: Stacey Sacks is a PhD candidate in Performing Arts at Stockholm’s University of the Arts. Her Doctoral Project Improvising Trickster takes form as a suite of hyper-disciplinary experiments with mask, clown, stop-motion animation, film, photography, sculpture, text, drawing and performance.

: Stacey Sacks is a PhD candidate in Performing Arts at Stockholm’s University of the Arts. Her Doctoral Project Improvising Trickster takes form as a suite of hyper-disciplinary experiments with mask, clown, stop-motion animation, film, photography, sculpture, text, drawing and performance.

Seminars/lectures: Queerly Re-imaging BALLET

: Kerstin Perski’ s PhD project ”The poetics of enlivening” aims at exploring and applying methods which challenge the conventional limits of the professions involved in music drama and opera, in the creation of a new music dramatic piece with the working title ”Borderland”.
The aim is to create the conditions for a more ”enlivened” encounter between the performance and the viewer in a contemporary context, both with regard to content and form. Kerstin Perski is a PhD candidate in opera. Now it is time for her 50 % seminar with the title ”The stick of the blind one”- In search of the methods of enlivening.