Fauxthentication – Staging and Performing The Site Specifics of The Academic Artist, is an manifold artistic research project by doctoral candidate Bogdan Szyber. Bogdan Szyber will attempt an overlapping investigation of three fields: The Academe as the Site of Performance, The Online Economy of Digital Labour as Actors and The Conceptual Art of Institutional Critique as a Method, incorporating discourses on
class, gender, value and the global digital economy. Bogdan Szyber is a doctoral candidate in Performing Arts.
Find out more (pdf): FAUXTHENTICATION part 1 presentation incl images
Find out more (pdf): The merchandising of artistic research art and ditto theory – an institutionalised critique
Goal & purpose
Utilising his theatre and performance background as a professional, Bogdan Szyber will attempt an overlapping investigation of three fields:
- The Academe as the Site of Performance
- The Online Economy of Digital Labour as Actors
- The Conceptual Art of Institutional Critique as a Method
Using theatre as a metaphor and dramaturgy as a methodology, Bogdan Szyber aims to analyse the crosssections between pressures for academic excellence and the fraud of the higher education industry fuelled by the work of the digital global proletariat, incorporating discourses on class,gender, and the global digital economy. The (artistic) academic research environment is a very specific place, context or "site". The project is considered as a sitespecific project starting from the area, social patterns of behaviour, meaningful communicative acts, dress codes and ultimately the bureaucratic structures that constitute the Stockholm University of the Arts.
Academia, generally considered as one of the noble fields and its champions motivated by the quest for the pursuit of knowledge, is nevertheless filled with fraud, plagiarism and cheating. There exists an entire industry that supports,academic fraud. What is required to "win" the game and become a successful academician? How is the drama constituted and what drives and motivates the artistic researcher? Who is exploited and why? • What is being produced and for what purposes, inside our artistic research milieu? What in particular distinguishes our artistic-research-art from out-ofacademia-
art? Which are its characteristics in relation to the economy, the labour, the production processes, the audience, it’s dissemination, documentation and archiving?
This is how the project will be carried out
The project has so far included nine freelancing academic ghostwriters, all women from developing countries, as well as an american photographer and singer, in this case acquired as an art producer.
The dissertation is scheduled for 2019.
The project will be presented by means of public lectures and seminars, and publications on the Internet