Courses

The course offers professional actors the opportunity to devote a full term of studies to deepen their knowledge and experience of acting for the screen. The course is taught in Swedish with some English.

The course Building bridges is a meeting between students from artistic education in Europe and the United States. The course focuses on the artistic collaboration.

Feminist Perspectives in Sonic Arts is a course for those eager to learn more about the hidden and forgotten female pioneers in sound art and electronic music. The course is taught in Swedish.

The last date of application has passed. This page is undergoing development.

Introduction to Film and Media is a course, where participants get basic knowledge to create film, radio and television. This course is for those who have not undergone any film and / or media education after high school.

Meeting Place – Music Theatre Landscape is an international course on the advanced level, in cooperation with ESMAE (Porto, Portugal), Winchester University (Winchester, UK) and SLU (Alnarp, Sweden). Organised within the framework of the ERASMUS programme, the course is open to landscape architects and directors, choreographers, set designers, lighting designers, actors, singers and others in the performing arts.

Neutral mask and clown is an education aimed at you as an actor and to all those who work with performing arts in collective gestalting processes and who want to deepen the essential perspectives of a clown / mask tradition

Platform - Physical Theater is a course for those who want to study and develop within the physical performance and storytelling.

This course in film and television postproduction offers a deepened professional knowledge of postproduction. The course is taught in Swedish.

This course is meant for filmmakers wanting to get a more solid foundation in film directing. It is carried out in collaboration between SADA/Uniarts and Filmbasen.

The last day of application has passed. This page is undergoing development.

The course The real - methods of situational and participatory artistic practices explore issues such as what role concrete factors like place, time and social contact in contemporary contemporary dance play have? And what practical and ethical issues do we face in situ-specific and participation-based work?